• Download Movie Scripts

    Download Movie Scripts

    Here are five movie scripts from each genre that aspiring screenwriters should read in order to improve their screenwriting skills. Download now! SIGN UP & GET A. The Movie Script Page! See below for what is new on the site or click on a letter under 'Movie Scripts'. Scripts are listed by the first noun in the title. Scripts.com is a huge collection of movie scripts, screenplays and transcripts from famous and not-so-famous screen writers from around the world — collaboratively published by amateur script writers and contributing editors. Screenplays: Download Oscar Winners and More (Running List) UPDATED DEC 2018: If you want to be a screenwriter you need to read a lot of screenplays. If you want to be a screenwriter you need to read a lot of screenplays. And if you are going to read film scripts might as. Any way you could get the JK Simmons movie, I’m Not Here OR.

    Looking for a good read this fall? Skip a book and try a screenplay instead. Has put together an incredible collection of 50 screenplays you can download right now for free. The database is categorized into five genres — drama, comedy, thriller, horror, and action/adventure — and includes 10 films per genre. Scripts featured include classics like “Alien” and “Reservoir Dogs” and contemporary favorites like “It Follows,” “Nightcrawler,” and “Bridesmaids.” Read More: For aspiring screenwriters, the collection provides a masterclass in learning the ins and outs of writing for the big screen from masters such as Charlie Kaufman, Sofia Coppola, Alexander Payne, Quentin Tarantino, and more. Oscar-winning screenplays for “,” “,” “Good Will Hunting,” and “No Country for Old Men” are also available.

    Where you can download all the screenplays for free. You can find a list of all the available screenplays below. DRAMA “Eternal Sunshine of the Spotless Mind” “Good Will Hunting” “Jerry Maguire” “Little Children” “Lost in Translation” “Straight Outta Compton” “The Truman Show” “” “The Visitor” “Whiplash” COMEDY “(500) Days of Summer” “Bridesmaids” “The Hangover” “Hannah and Her Sisters” “Mean Girls” “Planes, Trains & Automobiles” “Sideways” “Stranger Than Fiction” “There’s Something About Mary” “When Harry Met Sally”. Heath Ledger DC Comics/Kobal/REX/Shutterstock ACTION/ADVENTURE “The Bourne Ultimatum” “The Dark Knight” “Die Hard” “Ocean’s Eleven” “The Lord of the Rings: The Fellowship of the Ring” “Inside Out” “Lone Survivor” “Looper” “The Matrix” “Zombieland THRILLER “Collateral” “The Departed” “Flightplan” “The Girl on the Train” “Nightcrawler” “No Country for Old Men” “Prisoners” “Reservoir Dogs” “Training Day” “The Usual Suspects” HORROR “Alien” “Dawn of the Dead” “Final Destination” “It Follows” “Jennifer’s Body” “The Omen” “The Ring” “Saw” “Scream” “The Sixth Sense”.

    If you want to learn, at some point you’ll need script writing software. When it comes to script writing software/screenwriting software, I have three apps to recommend. Here’s a quick guide to the best screenwriting software so you can choose what’s right for you. Quick Navigation. My Philosophy on Screenwriting Software In a nutshell: time is a writer’s most valuable resource. Therefore, script writing software should save you time: it should be easy to learn and use, bug-free, and reliably updated.

    NOTE: what follows is my opinion, and I am not compensated for these recommendations. That said, here are my choices for the best screenwriting software. Best Free Script Writing Software: Celtx is free and over 3,000,000 people are using it (according to their website). Celtx is fully-featured, cloud-based screenwriting software that can also be used for storyboarding and production.

    Celtx offers a few subscription choices, one of which is the option for a free subscription. Celtx is not only my top choice for the best free screenwriting software, it’s also my choice when a filmmaking team needs to collaborate on the script as well as budgets, schedules, shot lists, and more.

    Celtx is only $9.99 per month for the additional storyboarding and production features. Celtx integrates with iOS apps such as Index Cards, Script, Shots, Scout, and Sides. Best Inexpensive Script Writing Software: Highland is a minimalist, distraction-free software that utilizes plain text. This means that your script is readable in any text editor and can move easily on and off of any device. Highland also exports to and imports from FDX and PDF, provides notes inline with text, and has markers and page-jumpers to navigate within a long document. Highland’s lead developer is top screenwriter John August ( Big Fish, Charlie And The Chocolate Factory). Highland is $29.99. Best Full-Featured Screenwriting Software: Fade In renders text crisply, supports unicode (text in other languages) and dual dialogue, and allows you to find/replace and undo just about anything.

    Fade In has fully functional syncing iOS and Android versions, and is updated for free by a capable developer who also writes and directs films. Fade In is also the choice of top screenwriter Craig Mazin ( Hangover 2, Identity Thief). I should note here that John August’s podcast Scriptnotes (which Mazin co-hosts) has. Fade In costs $79.95 and offers a free trial.

    I purchased Write Brothers Movie Magic, i.e., Screenwriter in 1998. I dabbled in a few other screenwriting applications including Celtx, Story, Final Draft, and Highland. I liked Celtx and Highland. I’ve written scripts for commercial and informational videos using Word just because that’s what the client used. If I were starting now, I might go with Celtx.

    It being more web based has advantages and disadvantages, but it is free. I still prefer Screenwriter. I have a BSEE and was a hardware and software engineer for 30 years so I don’t think my preferences are biased by technophobia. In the future, if I need to write anything besides narrative features and shorts, I may try another application. Claire E Robertson Same here.

    I bought Movie Magic in September 2000. I’ve had to wrestle with downloads when switching to a new computer system from my old Windows XP systems but it works great for me so I’m basically refusing to upgrade to the expensive newest version of it. Why fix what isn’t broken? I did have to try and show that I could use Final Draft when I took a college course over a decade ago but my instructor was so impressed with how well my work looked in MM that he allowed us to choose which we preferred. The majority of the class chose MM over FD.

    Bottom line on it was that we really didn’t need a lot of extra tools to do basic things like using an index card feature. Both programs have it but MM is a lot simpler to use than FD and you really only need to remember where your tab, enter, and down arrow keys are in addition to where your alphabet keys are once it’s set up for your own writing style. Happy to report, I can type over 200 words a minute without having to look at the keyboard. Useful since the letters often fade fast on every keyboard I get.

    The addition of being able to import a word processing document and then quickly convert it into a screenplay format means I’m unlikely to want any other screenwriting product in the future. I can also use MM budgeting and scheduling with it, too. I use and love Fade In. So much better than Movie Magic, which is what I used previously (I’ve always preferred Movie Magic over Final Draft). It even has a dual-column A/V template, which is really handy if you do commercial video scripting (although I prefer the way Celtx handles the A/V format).

    Fade In also imports and exports to Final Draft (among many other file formats), so even if you’re working with people who require a Final Draft file, you’re not stuck having to use it. Aside from Fade In’s seamless functionality, I also appreciate that it doesn’t look like it was time-portaled in from the mid-90s. Irene I used to be a Final Draft Fundamentalist, but when I needed to collaborate with people I don’t see very often, and when I began looking around for ways to write without having to put my beloved laptop at risk in the wild, Fade In and Celtx came to the rescue.

    I have to admit that Celtx is slowly winning me away from Fade In, however. I’ll miss the $ I spent on Fade In, but Celtx is so easy to use.

    I’m also a big fan of Scrivener, but I use that mainly for non-screenwriting purposes, probably because I began using it to write and compile ebooks for Kindle. It’s a monster of functionality! What level of familiarity would you recommend aspiring screenwriters to have with Final Draft? While I’m sure some people would disagree with me, I don’t think aspiring screenwriters need to have much familiarity with Final Draft other than to know it exists. Yes, it definitely is what productions use, but as there is a long way between writing a script and getting a movie made, I don’t think expensive screenwriting software should be an impediment. Is there a chance that you would have to convert your script into Final Draft if the movie goes into production?

    So you have to spend a few hours re-entering your script because you’re movie is getting made? That is work I would personally be happy to do. Writerduet allows you to upload a Final Draft, Celtx, pdf, doc etc into it. It’s my favorite over others because I can see my partners writing in real time. They can see me when I’m in there. So I’ve had the ability to write with others who live far away from me. Maybe other sites allow this now, but they weren’t when I was shopping around/testing them out.

    The formatting isn’t always perfect in WriterDuet after an you upload (esp. If the previous doc was a pdf etc, but it’s pretty good to get started). And you can download out of it (once you pay into the paid service, I believe there is still a free trial version) into PDF, Celtx, Final Draft, etc. Very convenient for sharing with others who don’t use Writerduet or have Final Draft yet. I use final draft and have for years. In general my mantra is if you want to play with the big boys than you have to use their toys.

    It really is the go to for production. One of the more memorable moments at Austin’s festival this past fall was watching the FD boys debate another program. They license to entire crews and have to contract with the production that they will support them. That aside, I can tell you as a coverage reader as well as a writer, I can instantly recognize when someone is using another software.

    Or worse — WORD. It SHOULDN’T get in the way of a story but when you are reading upwards of 10 scripts a day at times, you get into a cadence of scene breaks and formatting that is automatic in FD and can vary (in line spacing and margins) in other programs — it seems nit picky but it does take you out of the story. When you are an established writer (like Gilroy on Nightcrawler) you can get away with breaking the norm, but in the meantime I say stick with the standard. John I use the free version of WriterDuet and it’s excellent. Definitely the best free screenwriting software around. I had issues with all the other “free” screenwriting programs. Will upgrade to WD Pro soon.

    There’s a great quote on the WriterDuet website from Ed Solomon, writer of MEN IN BLACK and most recently NOW YOU SEE ME: “Writer Duet is the most intuitive, most user-friendly scriptwriting software I’ve ever used. And it’s truly amazing to be able to write and share screens with one, two, or many different people at once. I wish I’d had this earlier in my career.

    I can’t say enough good things about Guy Goldstein and Writer Duet.” – Ed Solomon (Men in Black, Bill and Ted’s Excellent Adventure, Now You See Me). Speaking as an (DGA) Assistant Director and Unit Production Manager, Celtx makes our job quite challenging. The greatest issue being that it cannot easily export to any other program. So while a writer may find it wonderful (and free), script breakdown for scheduling and budgeting becomes a nightmare. All the slugs, sets, characters and locations need to be reentered manually into a scheduling and budgeting program. Celtx claims to have an all in one solution and can provide many production reports, but it simply doesn’t provide the horsepower needed as a day to day production tool. I think that the best piece of software out there right now if WriterDuet.

    WriterDuet is an incredible piece of software that does all of the the things that final draft does, better, plus an incredible real time collaboration capability. In my opinion, it’s really the only viable choice for writing partnerships, and perhaps the best choice for single writers. It’s way more fully featured that the free version of Celtex. It has the PDF reading capacity of Highland, but it’s also cross platform, which Highland isn’t.

    I have not tried Fade In. The lead developer on WriterDuet, Guy, is also extremely accessible and always has responded to my questions or feature requests.

    Having used many screenwriting software programs over the years, I was surprised to find Celtx offered many of the features the expensive programs do — yet it is free. The cavet here is they do charge for additional production-level modules yet the direct benefit is anyone can get started in screenwriting at a professional level at no cost. All of our screenplays have been imported into Celtx since 2010 and I have requested all of my students to do so as well. I highly recommend Celtx for anyone who is writing. Questions: — Do ALL of these program save in Adobe Acrobat for a standardized pdf?

    — Can the pdfs of those scripts be “read” in the other programs? Example: When a Scrivener or FADE IN script’s pdf is sent to a production company, can the production staff member use their software to “read” the cast numbers & # speeches and the Int.- Ext.

    Locations list? I noticed that David, a DGA, indicated that they don’t all import. Writing with free scriptware is fine for beginners, but when you are seriously submitting, you have to understand that the pdf has to allow for the programming that provides for script breakdown so the production company can identify COST factors like cast size and locations with a couple of taps of the keys. If the script is being submitted to actors, they want to know how many scenes they appear in and the number of speeches they have to “guessimate” their value to the project.

    I use Movie Magic. I also use moviemagic.

    I love the monthly newsletter I get from them (tips from ‘screenwriter bible’s David Trottier). It imports from pdf and word just fine. It has a LOT of bells and whistles I don’t know how to use yet. It has templates from all the majors, and all the formats.

    It is constantly saving for me in a ‘timed backup’ file, so if I forget to save or the power goes out, a recent version is safe. I’m so happy with it, I’ll likely buy it again.

    I don’t know why no-one really uses itit’s great! Charu Hi Stephanie I think professional writers cannot NOT think of compatibility with the production office and those who give notes – readers, execs, producers, directors. Here in Mumbai I have been writing a TV show for the last six years in MS Word because that particular production company has its own format and production office requirements. I use FD and Celtx for writing features. I prefer FD despite its high cost and occasional bugs because I just feel more safe about of my work. (I have this phobia of scripts getting stuck in ‘retrieval hell’ in hopeless recesses of crashed hard disks or ‘cloud bursts’ or getting ‘locked up’ in a free / trail software etc etc etc